Thursday, April 30, 2009
Abercrombie's Backward Glance
John Abercrombie is one of the instantly recognizable jazz guitar stylists. His sound and conception have a pastoral elegance attuned to Indian Raga or Persian modal improvisations as much as it does to his precursors in the jazz world such as Bill Evans, Jim Hall, and Miles Davis.
Characters is the only completely solo record Abercrombie ever made, and my personal favorite of his many releases. It was recorded for ECM by Manfred Eicher in Oslo, Norway in November of 1977. The album is distinguished by Abercrombie’s blend of acoustic guitars – primarily as chordal background – with melodies overlayed by the electric guitar, and occasionally, electric mandolin. Together, the acoustic and electric never sound crowded but complement one another like entwined branches of a vine.
The songs, all Abercrombie originals, are at once lyrical and harmonically daring, reminiscent of compositions of Evans like Blue in Green; they seem to be heading for a familiar resolution but pause to take another sidepath that opens out into something else.
Backward Glance from Characters
...(listening now, my take on it)
a bicyclist rounds a street corner
voice and touch of fingertips
remembrance of pathways in sunken cities
steps winding down always to a new door
light filtered by waves above
from tears of a thousand burning suns
of long gone galaxies
and curtains of persian night
forgotten the way back
flutter of wings
murmur of the heart
Abercrombie in the 70's
* Here is an interesting (at least to the explorative musical types) youtube clip with Abercrombie recently demonstrating the art and discipline of improvising on one string. By restricting the sonic "palette" to a narrower range, the musician finds resources to break out of the box of mechanical playing and away from licks that habitually "fall under the fingers". John starts with a basic Lydian modal thing and then uses the same approach against the chord changes to "Stella By Starlight".